Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, “Come back to me.” Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their ‘time” difference, and can Richard remain in a time that is not his?

Meet Morgan. At first glance, she’s just your average cleaning lady. She has no problem getting her hands dirty, which is a good thing considering it’s not fancy houses she cleans for a living – it’s gruesome crime scenes. It’s at one of these scenes that Morgan discovers a key piece of evidence overlooked by the forensics team. This, and her knack for reading blood splatter, catch Nick’s attention, a newbie detective working the case. The pair soon become unofficial partners on what’s become a stream of related murders and the closer they get to solving the mystery the closer they get to each other. But while they succeed in getting a confession from their primary suspect, their feelings for each other risk blinding them to the truth and they find themselves dangerously close to the real killer.

American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her boss’s home who invites her to fly to Venice in his private plane. Frances, who has been in Rome for 15 years as the secretary of a successful American writer who talks a lot like George Bernard Shaw and is just as elusive as Professor Henry Higgins in “My Fair Lady,” tells her at first to say “no” and then decides that together they can handle the man nicknamed the predatory prince. Coins tossed in the Trevi Fountain can indeed work magic.